N98 Studio builds AI agents and production pipelines for agencies and studios, and for companies that make their creative work in-house. We cover everything from brief intake to final delivery, so your creatives spend their hours on the craft and not on the admin around it.
Creative and ad agencies, design and branding studios, and post, VFX and motion houses. We automate intake, production pipelines, feedback rounds and delivery, so more of your hours become billable craft.
Brand, marketing and content teams inside retail, D2C, fintech, FMCG, SaaS and more. We automate the request desk, brand-safe self-serve and campaign rollouts, so one small team can serve every department.
Every studio has the same problem: brilliant people buried in admin. We give the admin to machines and give the hours back to the craft.
of production hours returned to creative work on average
more deliverable versions per designer with automated resizing & versioning
from kickoff to the first pipeline running on live jobs
Briefs, folders, versions, captions, approvals, timesheets, asset hunts. We automate the repetitive layer of creative production, and the creative decisions stay with your people.
An AI producer's assistant that handles intake, job setup, status updates, client chasers and timesheets. It runs across Slack, email and your project tool.
Resizing, versioning, captions, selects and render-to-delivery, automated inside the apps your team already uses.
Find any shot, file or frame by describing it. Auto-tagging, smart search and usage-rights tracking across your archive.
Client feedback from Frame.io, Figma and email summarised into clear task lists, with automatic reminders for overdue approvals.
One master turned into every market and format: subtitles, consented AI voiceover and social cutdowns.
Producers and account teams stop re-typing briefs, chasing approvals and rebuilding status reports every Friday.
Ingest, logging, transcripts, selects, captions, conforms and deliverables, automated in Premiere, Resolve and After Effects.
Master layouts in Figma or Photoshop become every format, language and market automatically, and each one passes a brand check.
A small team handles requests from every department without becoming a bottleneck, and the brand stays consistent everywhere.
We follow a real job from brief to delivery and time every handoff, export and chase.
A ranked roadmap of what to automate, and what should stay handmade, with a fixed quote for each build.
Tested on live jobs inside your tools, with weekly demos for your producers and leads.
Monitoring, tuning and new pipelines every quarter as your studio grows.
Move the sliders to match your team. Most studios find that 30–60% of non-creative production time can be automated.
Time your team can spend on billable creative work or new pitches.
Estimate assumes 48 working weeks. Your audit replaces it with measured figures.
Every build starts with one painful part of production and a number we agree to move.
Brief-to-kickoff cut from two days to 15 minutes, and $180k a year of unbilled hours recovered from timesheets.
→ 02Logging, transcripts and captions automated, giving editors back 60% of their assist hours.
→ 03400 campaign variants a month, resized and localised in hours instead of days.
→ 042.1M assets tagged and searchable by description, cutting search time from 20 minutes to 30 seconds.
→N98 didn't try to make our work with AI. They took away everything that was stopping us from making it.
“Our producers used to spend Mondays building folders and chasing briefs. Now that's finished before the coffee is.”
“Transcripts and selects are waiting when the editor sits down. We've cut a full day off every documentary turnaround.”
“They understood that the craft was off-limits. Everything they automated was work our designers were glad to give up.”
“Resizing a global campaign used to take three designers a week. It now runs overnight and passes brand QA.”
No, and we won't build anything that tries to. We automate the work around the craft, like setup, admin, versioning, logging and chasing. The ideas, taste and final calls stay with your people.
Only where you want it, for things like rough storyboards, placeholder VO or concept moodboards. We use commercially licensed models only, and nothing generated goes to a client without a person signing it off.
Yes. We build scripts, panels and plugins for Premiere Pro, After Effects, Photoshop, Figma and DaVinci Resolve, and connect them to Frame.io, Drive, Dropbox and your project tool.
Automations run in your own accounts or a private cloud. We sign your NDAs, never train models on client work, and keep embargoed assets out of any third-party service you haven't approved.
Creative and ad agencies, design and branding studios, post-production, VFX and motion houses, production companies, publishers and in-house brand content teams, usually 5–300 people.
Most studios have their first pipeline running on live jobs within 14 days of kickoff.
Show us the part of production your team dreads most. On the call, we'll tell you whether and how we'd automate it.